With the Michael Jackson sex scandal capturing the imagination of America, news organizations at last have gotten over the post-election blues with some impressive ratings. The more ingenious networks have even overcome a ban on cameras in the courtroom by using actors or drawings to interpret the images of the trial for viewers, opening a lucrative new area for television: Reenactment news directors.
As theater directors already know, just because Othello has been performed hundreds of times doesn’t mean you can’t distinguish yourself and leave your own stamp on Shakespeare. The E! Entertainment Network were first out of the gate, with their very straightforward, set-thin adaptation of the Michael Jackson daily drama, nabbing austere actors Jack Donner and Rigg Kennedy, as well as much-sought Jackson impersonator Edward Moss in the title role. But first isn’t finest, as many know.
Other Jackson trial interpretations sprung up immediately, the most lavish among them at NBC news, under the guidance of legendary Broadway stage director Fischer Todland. The production immediately went after George Clooney for the part of defense attorney Thomas Mesereau and Renee Zelleweger as Michael Jackson, but found the actors too busy for the project. The roles were more quickly cast with Billy Baldwin and Fran Drescher, who weren’t doing much. The cost has already exceeded $12 million, but the network says no expense can be spared when going for a hell of a lot more money in advertising revenue.
Literal interpretations are not the only ones to make their debuts in the weeks of the trial. Among the more daring is Bravo’s rendition of the trial, filled with sharp zooms, color-drenched scenes, and elaborate dialogue based loosely on the actual trial transcripts. While it may not have the journalistic integrity of E!’s coverage, it’s received rave reviews from many television critics for its cutting-edge language and daring employment of nudity.
Unsurprisingly, VH-1 has found success by reenacting the trial as a musical, with songs featuring lyrics by Paul Simon and music by Philip Glass. Much of the production is overstated and purposelessly bizarre, but TV Guide praised Pink’s “heartbreaking” portrayal of Jackson, particularly for the song “(Why Do You Need) Photos of My Penis.”
One of the most abstract interpretations of the trial is BET’s all-black reenactment, with half-insane Jackson sister LaToya playing the role of the king of pop.
Media sourpusses have called the reenactments shameless sensationalism, but who cares what they say? Network executives are pleasantly surprised by the response to the creative interpretations and even see a future for other reenactments, with the possibility of extending them into hour-long shows, which might at least prevent yet another version of C.S.I. or Law & Order.
“Can you envision what this might mean for the future of network news?” asked E! News Director Vanessa Holmes, who obviously could, judging by the visible nipple outlines. “No longer would the news be limited to delivering long, in-depth trial coverage of famous people—we could suck in the audiences by casting famous people as nobody criminals! Like that guy who murdered everybody in the courtroom today. Think of all that sweet action, as directed by John Woo! If we had it on tape, some clumsy, shaky footage, we might get an art-house crowd—yuck! But cast Ving Rhames as the defendant, and Robert Duvall as the dead judge. Now that’s real news!”