March 4, 2002
Holy washed-up franchise, Batman! It’s Oscar season and no lisping game bird is going to convince Roland McShyster otherwise. Pay no heed to the lies about Christmastime, the most magical time of the year is truly upon us. So let’s get coked up to the gills and revel in the joy that is the month before the Oscars! Here’s your dossier on the bewildering list of nominees:

Best Picture

A Beautiful Mime  -read EP review-
This film touched me in much the same way as last year’s Requiem for a Dreamcast. Both were films made me stand up and shout back at the void: “Now THOSE are some tits!” Powerful filmmaking that has given me a new taste for women of few words… who let the cleavage do the talking. I advise you to let it change your world some time soon.

Goosefart Park
Those loveable Animal House morons are back, and this time they’re stuck at a quaint Country Inn in the small English town of Goosefart Park. A surprise pick for a Best Picture nomination, but you’ll be hard-pressed to find a film this year with more beaver jokes. There’s a lot of raunchy humour for the whole family, but this isn’t a one-sided farce. The film also brings home the important life lesson that England is stupid.

In the Bedroom
It’s a bold statement, but this is probably the best film ever based on a Cream song. To be honest, I didn’t understand the movie any better than I understood the tune, (psychedelic interior decorating tips? And who buys black curtains these days?) but regardless, this flick is head and heels above Kevin Costner’s dismal Aqualung.

The Lords of the Ring: The Fellowship in the Ring  -read EP review-
This is the year gay boxing movies stepped into the mainstream, and there is no finer example than The Lords of the Ring. If a picture is worth a thousand words, and this isn’t the best picture of the year, then that means there are a thousand finer words out there somewhere, and personally I find that disbelievable. This is one of those rare movies that grabs you by your manhood and sucks you off. Or in. And as the wizened old boxing trainer Gaydar says in the film: “Sometimes you choose gay boxing. And sometimes gay boxing chooses you.” I couldn’t have put it better, even with 989 more words and a Polaroid.

Mule in Rouge  -read EP review-
Another surprise nomination for Best Picture, as the Academy seems to have a soft spot for screwball comedies this year. This time it’s a loveable Talking Mule picture that gets the surprise nod and a wink. And I know what you’re thinking, that they always nominate the Talking Mule pictures but they never win the big awards. It’s like an unwritten rule. But this year things could be different since there’s a lot of buzz under this donkey’s tail and I hear the Church of Scientology is throwing it’s Hollywood weight around to secure the golden flasher for this picture.

Best Director

Don Henley, A Beautiful Mime  -read EP review-
Leave it to a former Eagle to take this tale of form-fitting mime costumes all the way to the limit. Sure, he could have taken it easy, but that’s not Henley’s style. Being the new kid in town, director-wise, he had a lot to prove, and I for one am hoping there’s no heartache for him on Oscar night. Hopefully his film will leave Academy voters with a peaceful, easy feeling, and provide them with a place to hide their lion eyes.

Ripley Scott, Black Hawk Down  -read EP review-
Every film this guy does without having a space lizard or whatever spring out of his chest is a triumph in my book. I’d really be pulling for him to take home the gold this year on that basis alone if it weren’t for the fact that his movie had way too much pan flute music in it for my tastes. I mean, I guess it’s a depressed-bird kind of instrument, but in my opinion you can take that too far.

Robert Palmer, Goosefart Park
Three years ago it was all about foreign dictators directing films, and last year it was about rock-band movies. This year the natural progression continues and it’s pop stars turning into directors, and nobody was more surprised than me to discover that this pedophile-looking limey can direct a frat comedy like nobody’s business. Both this film and A Beautiful Mime make me realize how far ahead of his time Terrence Trent D’Arby really was when he directed The Thin Red Line a few years ago, really the grandfather of pop star directors. Sure, the inclusion of Power Station’s Some Like it Hot in Palmer’s film was a little self-serving, but I have to admit it synched up pretty well with the scene where the morons set the Inn on fire.

Peter, Paul and Mary Jackson, The Lords of the Ring: The Fellowship in the Ring  -read EP review-
What’s more amazing than pop stars making the successful transition to directing feature films? How about entire bands making the leap? Scoff no more my friends, because it happened while you weren’t paying attention. If these 60’s folkamuffins can direct the best gay boxing film ever, I can’t wait to see Metallica’s directorial debut this summer.

David Lynch, Mulholland Drive  -read EP review-
Sure, he’s crazier than a shithouse weasel, but there’s no denying that some people out there enjoy the scrambled brainbatter he yanks out of his rectum every few years. Personally, I liked his films more before he decreed that all film scores should be played by throwing live fish at a piano, but you’ve got to admire his creative vision.

Best Actor

Russell Crowe, A Beautiful Mime  -read EP review-
Really rubbing the charm thin after his role in Almost Famous, Crowe serves as a cleavage-blocking impediment to an otherwise arresting film. Back to the Louvre with you, Frenchie.

Sean Penn, I Am Sam  -read EP review-
Leave it to a balls-out amazing actor like Penn to garner an Oscar nomination for the smallest of roles. Some may argue that his cameo as the fox in the box was too scant a role to deserve the Oscar nod, but I ask you this: did you ever doubt for a second that that there was really a fox in that box where Knox would not eat the green eggs and ham, would not eat them Sam I Am? I rest my case.

Geoffrey Rush, Lantana
Who?

Mr. Smith, ALI  -read EP review-
Talk about taking a boring film and driving it right into the dull, lifeless ground! This is it. The American Law Institute could have salvaged some shred of an audience’s attention by casting a big-name star in this plodding logjam of a film, but instead they chose to feature this faceless corporate lawyer in an unbelievably gray suit. I thought for a second this movie might turn into a Pink Floyd video but in the end it turned out that irony was not on the witness list.

Denzel Washington, Training Day  -read EP review-
After a long, painful journey, Denzel finally finds his niche in this talking toddler pic. He’s never had a finer moment than when he’s chasing little Mikey around the apartment while he’s got a shitty pair of pull-ups around his ankles (but don’t ask me why Denzel was wearing pull-ups in the first place! Zing!). It just goes to show that talent can blossom late, and here Denzel is at his best since To Wong Fu…

Best Animated Film

In a surprising move by the Academy, the Best Actress category has been replaced this year by a new award for Best Animated Film. I'm sure you can imagine the endless griping that has ensued, but for what? I mean, who doesn’t like cartoons?

Jimmy Nimrod: Boy Genius  -read EP review-
Hands-down the funniest film of the year, and one of the main reasons you’ll be hearing Roland McShyster’s tortured screams echoing up from hell once we all hit the afterlife. I stand behind my actions, however, and if seeing an exploitive comedy about a retarded super-spy twelve times in the theater is a damnable offense, then damn the torpedoes and steer this cruise ship towards the Hades water park, my friends.

Mobsters, INC.  -read EP review-
A computer-animated classic set in the mobster’s paradise of New Jersey. A funny, fascinating, and fuggetaboutit musical for those of us who like our fellas good and our fathers godly. Or something, I don’t know. Look for Joe Piscapo in his trademark insane mobster role.

Beatty and the Beast
I had the weird deja-vu feeling that I’d seen this movie before, but with all of the great new stuff they’re cranking out, it’s not like Disney would just rehash one of their old movies to make a few extra bucks. Anyway, it’s great to see Ned Beatty working again, though to be honest sometimes I got confused about who was the Beast.

And that’s a wrap! Now’s it’s time to bask in the afterglow while we await the ceremony itself. When will it be? Nobody knows! But that’s half the fun of it. And from me to you, America, I hope it’s some kind of wonderful. See you in a month!