 | 
Russell Crowe Receives Oscar Nod for Role in Ben Gay CommercialAcademy hopes Aussie actor will notice them at long last March 4, 2002 |
Hollywood, California Ramrod Hurley Russell Crowe, wishing he was birthing a sheep
The additional nomination was given to Australian actor Russell Crowe for his performance in a 30-second Ben Gay commercial from 1991, which featured Crowe touting the virtues of the medicated ointment from a locker room after a taxing squash workout.
Reaction has been swift and fast from film critics and movie buffs alike, who suggest that the Academy's butt-kissing of Crowe has reached an unprecedented level now that they have run out of film performances for which to nominate ...
n a move destined to boil the blood of the fourteen Americans who still associate the Oscars with outstanding achievement in film, the Motion Picture Academy of Arts and Sciences announced Tuesday that it has added a supplemental Best Actor nomination to the field for this year's awards.
The additional nomination was given to Australian actor Russell Crowe for his performance in a 30-second Ben Gay commercial from 1991, which featured Crowe touting the virtues of the medicated ointment from a locker room after a taxing squash workout.
Reaction has been swift and fast from film critics and movie buffs alike, who suggest that the Academy's butt-kissing of Crowe has reached an unprecedented level now that they have run out of film performances for which to nominate the actor.
Some feel that the academy jumped the gun when it nominated Crowe for the low-budget Aussie children's fantasy Roadblock and Wanker last year, arguing that they should have saved the film, which features the voice talents of a 16 year-old Crowe, in case he went a year without making a feature film in the future. Others point out that Crowe was already nominated in the same category this year for A Beautiful Mind, and that the commercial in question came out in 1991, technically making it ineligible for this year's awards. And even if it were, it wouldn't be since it was a commercial and the Oscars tend to be reserved for feature films. Many others feel that this level of praise is unreasonable for an actor who's basically Clint Eastwood with an accent.
The Academy had already come under fire in recent months for its controversial creation of the Kevin Spacey Perpetual Award, which honors American actor Kevin Spacey on a yearly basis. But even the harshest critics of that move suggest that it made a lot more sense than the Academy's constant sucking up to Crowe, who many feel represents a "cool, slightly-dangerous older brother" figure to Academy voters.
"Of course it's a controversial nomination," stated Academy spokesperson Emeril Juanna. "Everyone knows that, and don't think for a second that there aren't members of the Academy who think Russell's work in that 'Fast Actin Tinactin' ad he did in 1990 was the superior performance. But we made our choice and we could only choose one Russell Crowe commercial. This year, anyway."
Nominees for Best Actor are decided by the acting arm of the Academy, which consists of several-hundred industry people who have claimed to be actors at parties or when filling out product registration cards. Academy member and unemployed soap opera actor Kenny Middle attempts to explain the reasoning behind the Academy's unprecedented move:
"Well, I think you know how the ladies on the committee voted, so there's no need to go into that. And as for us guys, I don't know, you know? I think maybe there's a little part of each of us that thinks it would be pretty cool if one day we got to hang out with Russell, and his band 30 Odd Foot of Grunts. Maybe sit in on bass or something, you know? Maybe bum a cigarette and just hang loose. That's a factor that can't be denied. And really, at the heart of it all, wouldn't it just be awesome as hell to be Russell Crowe for a while? To have the famous chicks all over you like bimbos on a Kennedy? Getting fat paychecks and awards left and right just for mumbling your way through movies? And how about that roguish charm? Plus you'd get to cash in on the whole 'foreign guy' angle, which is huge with the ladies, without having to ever live in a mud hut or eat English food or anything like that. Instead, you run your own sheep farm or some bullshit like that and come off sounding like a real badass. And you look white as anybody else, so no problems there; you just get a cool accent and the credentials to back it up. Talk about sweet. So anyway, when you take all of that into consideration I don't think it's at all surprising that Russell got nominated again. We're all big fans." the commune news is hip to the whole Enron thing, but doesn't need to hop on that bandwagon to feel popular. Ramrod Hurley is cool and all, but that Savage Garden song he's got on his cell phone ringer is really starting to get on everyone's nerves.
 | Americans Copying Shitty Music They Refuse to BuyMarch 4, 2002 |
Los Angeles, CA Ansel Evans One guy buys CD while hundreds of friends line up to make copy.
“It used to be someone would have to buy an album just to find out it was crap,” said recording industry lawyer Snig Partridge. “Now they spend hours downloading it, take one listen, and mutter they’re glad they didn’t buy it.
“That’s our money!” yelled Patridge, leaping across the desk and savagely attacking this commune reporter.
There is some validity to the maniacal lawyer’s complaints. A recent survey conducted found nearly 25% of respondents were downloading or ma...
ecord companies were faced with a 10% drop in CD sales from 2000 to 2001, and are quick to point the finger squarely at internet music piracy and illegal CD copying. Now the awful songs and albums consumers refuse to buy are available to them for free elsewhere. “It used to be someone would have to buy an album just to find out it was crap,” said recording industry lawyer Snig Partridge. “Now they spend hours downloading it, take one listen, and mutter they’re glad they didn’t buy it. “That’s our money!” yelled Patridge, leaping across the desk and savagely attacking this commune reporter. There is some validity to the maniacal lawyer’s complaints. A recent survey conducted found nearly 25% of respondents were downloading or making hardcopies of CDs they didn’t want to buy. Numerous reasons were cited, such as the expense of purchasing CDs, the ease and availability of pirating materials, the chic of bragging about burning or downloading something, the lack of new Beatles material, but most popular among the answers was “just don’wanna.” Many record industry analysts are puzzled by the slow down in CD sales, given the height of artistry of popular music with acts such as Britney Spears, Nelly Furtado, Creed, Pink, Uncle Kracker, and No Doubt topping the charts. “It’s obvious music is experiencing a renaissance,” remarked some dreadlocked teen at a music store, in a voice that didn’t sound at all sarcastic. “I don’t get it,” said Marx Kapital Records CEO Fred Ingells. “People hear the single. They like the single. They hum the single. They don’t buy the album. Something’s not right here.” In 2000, music product sales totaled $14.3 billion. A year later that amount had dropped catastrophically to $13.7 billion. “$13.7 billion! How are we supposed to live on $13.7 billion?” shouted Snig Partridge, this time leaping out from behind a Volkswagen on the street and attacking this commune reporter long after our interview had finished. Across the music industry, response from record company representatives has ranged from perturbed to dismayed. “Y’all fuckin’ my money now, biatch,” growled A’ight Records President Tru Dat Williams, cocking a Glock and firing blindly out the window in a confessed effort to hit potential music pirates. “What makes me sad is the poor artist,” said Ingells. “When you steal a CD by bootlegging it from a friend or downloading it from the internet, you’re stealing a dollar out of their pocket. A whole dollar, or considerably less if we’re talking just singles and EPs here.” Several artists were contacted to hear their reaction to this matter, but instead of listening to the interview tapes we burned copies of them and sold them on eBay as bootleg interviews. Snig Partridge then leaped out of our filing cabinet, knocked this commune reporter unconscious and made off with all our unsold copies. the commune news would be more into music piracy if they allowed you to wear parrots on your shoulder and velvet coats. Ramon Nootles stands as a shining example to men everywhere, especially for how not to handle a paternity suit.
| |
|
| 
 March 4, 2002 Who is Preventing the Men At Work Reunion?the commune's Red Bagel poses the question: Who can it be now? I can't get to sleep. A question's been plaguing me lo these many nights, inspiring endless head-scratching and the use of dated vernacular like "lo." All the members are alive, the audience is out there and hungry for it… who is preventing the Men At Work reunion?
Like a shooting star they burned brightly and then disappeared. For a very brief time in the 1980s, from 1982 to 1985, Men At Work were popular music. Who would you throw up against them? Pat Benatar? The Go-Go's? Pitiful imitations Men Without Hats? All were common slaves in the arena against Men At Work—the gladiators.
However, the attention of the American public changes quickly, and by 1985 the group disbanded after the poor commercial showing of their third album. At least that's what th...
º Last Column: I Fear the Olsen Twins Are Space Pilgrims
º more columns
I can't get to sleep. A question's been plaguing me lo these many nights, inspiring endless head-scratching and the use of dated vernacular like "lo." All the members are alive, the audience is out there and hungry for it… who is preventing the Men At Work reunion?
Like a shooting star they burned brightly and then disappeared. For a very brief time in the 1980s, from 1982 to 1985, Men At Work were popular music. Who would you throw up against them? Pat Benatar? The Go-Go's? Pitiful imitations Men Without Hats? All were common slaves in the arena against Men At Work—the gladiators.
However, the attention of the American public changes quickly, and by 1985 the group disbanded after the poor commercial showing of their third album. At least that's what the Behind the Music guy said. My question, though, is what's stopping the reunification of the 80's greatest band?
To head off any potential arguments, the live shows played by Colin Hay and Greg Ham under the billing of Men At Work does not constitute a Men At Work reunion. Not until the original recording line-up for the albums Business As Usual and Cargo is reconstituted is Men At Work really reunited. There is no just cause to prevent this, as far as I can see.
The natural conclusions one would reach, as with any band, is that internal conflicts keep the majority of them apart. I refuse to believe this. You've seen the videos, those guys get along like aces. Digging a hole, jogging in place, juggling, they do everything like real sports. And yet now, all these years later, they're missing out on a chance to bring real happiness back to the charts, not to mention make a tidy killing back in the record business. However, something is in the way.
I think it goes much deeper than the band. Far-reaching forces outside have prevented a Men At Work reunion. This goes high, people, all the way to the top. The American government has a vested interest in keeping Men At Work from returning to their former glory as the hottest band from Down Under.
Why? Without getting into the complicated details of trade, tariffs, super-power standings and plenty of things I don't fully understand, let's suffice to say that what's good for Men At Work is good for Australia. And what's good for Australia is bad for American business. Our country has struck an unholy alliance to keep the roster of big super-power countries as it is. If Australia breaks through to become a super-power, it could piss off a number of countries, just for example, oh, say, France? England? Canada? That's all I need to say.
Australia has formed such a threat for quite some time, and this unholy alliance, which has existed since 1972, has been worn and weakened over time. Several times Australia verged on super-power stardom—the 2000 Olympics in Sydney, the Veggimite sandwich, the Crocodile Dundee series. The unholy alliance is under more strain than ever before to restrain Australia. And through threats and extortion they've kept Men At Work unemployed. It's a travesty.
At another time I'll tell you why Blind Melon has not reunited. To sum up, their lead singer and songwriter is dead. º Last Column: I Fear the Olsen Twins Are Space Pilgrimsº more columns | 
|
| |
Quote of the Day“To sleep, perchance to dream. As long as I do not dream of being pursued by that creepy Duracell robot family, for that shit was truly too much for a soul to endure.”
-Robert ShakenspearFortune 500 CookieDo not take the road less traveled, 'cause the toll is complete bullshit. If everyone jumped off a bridge, would you? Your mother will finally find out this week. Two brutal assaults is a coincidence, three is a lack of self-control. Expect to be broken hearted this week, as the writing on the bathroom wall foretold. Lucky numbers all make a sum of 9.
Try again later.Top 5 Michael Jackson Trial Revelations| 1. | Sleeping with children in your bed only huge moral quaqmire—not illegal | | 2. | Elephant Man bones were delicious | | 3. | "Thriller" song autobiographical | | 4. | Body almost 78% artificial ingredients | | 5. | Jackson himself a delusional product of being raised in the spotlight; middle name Joseph | |
|   Texas Scientist Regrets Cloning Cat BY roland mcshyster 3/4/2002 Holy washed-up franchise, Batman! It's Oscar season and no lisping game bird is going to convince Roland McShyster otherwise. Pay no heed to the lies about Christmastime, the most magical time of the year is truly upon us. So let's get coked up to the gills and revel in the joy that is the month before the Oscars!
Here's your dossier on the bewildering list of nominees:
Best Picture
A Beautiful Mime -read EP review-
This film touched me in much the same way as last year's Requiem for a Dreamcast. Both were films made me stand up and shout back at the void: "Now THOSE are some ti...
Holy washed-up franchise, Batman! It's Oscar season and no lisping game bird is going to convince Roland McShyster otherwise. Pay no heed to the lies about Christmastime, the most magical time of the year is truly upon us. So let's get coked up to the gills and revel in the joy that is the month before the Oscars! Here's your dossier on the bewildering list of nominees: Best PictureA Beautiful Mime -read EP review-This film touched me in much the same way as last year's Requiem for a Dreamcast. Both were films made me stand up and shout back at the void: "Now THOSE are some tits!" Powerful filmmaking that has given me a new taste for women of few words… who let the cleavage do the talking. I advise you to let it change your world some time soon.
Goosefart Park
Those loveable Animal House morons are back, and this time they're stuck at a quaint Country Inn in the small English town of Goosefart Park. A surprise pick for a Best Picture nomination, but you'll be hard-pressed to find a film this year with more beaver jokes. There's a lot of raunchy humour for the whole family, but this isn't a one-sided farce. The film also brings home the important life lesson that England is stupid.
In the Bedroom
It's a bold statement, but this is probably the best film ever based on a Cream song. To be honest, I didn't understand the movie any better than I understood the tune, (psychedelic interior decorating tips? And who buys black curtains these days?) but regardless, this flick is head and heels above Kevin Costner's dismal Aqualung.
The Lords of the Ring: The Fellowship in the Ring -read EP review-
This is the year gay boxing movies stepped into the mainstream, and there is no finer example than The Lords of the Ring. If a picture is worth a thousand words, and this isn't the best picture of the year, then that means there are a thousand finer words out there somewhere, and personally I find that disbelievable. This is one of those rare movies that grabs you by your manhood and sucks you off. Or in. And as the wizened old boxing trainer Gaydar says in the film: "Sometimes you choose gay boxing. And sometimes gay boxing chooses you." I couldn't have put it better, even with 989 more words and a Polaroid.
Mule in Rouge -read EP review-
Another surprise nomination for Best Picture, as the Academy seems to have a soft spot for screwball comedies this year. This time it's a loveable Talking Mule picture that gets the surprise nod and a wink. And I know what you're thinking, that they always nominate the Talking Mule pictures but they never win the big awards. It's like an unwritten rule. But this year things could be different since there's a lot of buzz under this donkey's tail and I hear the Church of Scientology is throwing it's Hollywood weight around to secure the golden flasher for this picture.
Best Director
Don Henley, A Beautiful Mime -read EP review-
Leave it to a former Eagle to take this tale of form-fitting mime costumes all the way to the limit. Sure, he could have taken it easy, but that's not Henley's style. Being the new kid in town, director-wise, he had a lot to prove, and I for one am hoping there's no heartache for him on Oscar night. Hopefully his film will leave Academy voters with a peaceful, easy feeling, and provide them with a place to hide their lion eyes.
Ripley Scott, Black Hawk Down -read EP review-
Every film this guy does without having a space lizard or whatever spring out of his chest is a triumph in my book. I'd really be pulling for him to take home the gold this year on that basis alone if it weren't for the fact that his movie had way too much pan flute music in it for my tastes. I mean, I guess it's a depressed-bird kind of instrument, but in my opinion you can take that too far.
Robert Palmer, Goosefart Park
Three years ago it was all about foreign dictators directing films, and last year it was about rock-band movies. This year the natural progression continues and it's pop stars turning into directors, and nobody was more surprised than me to discover that this pedophile-looking limey can direct a frat comedy like nobody's business. Both this film and A Beautiful Mime make me realize how far ahead of his time Terrence Trent D'Arby really was when he directed The Thin Red Line a few years ago, really the grandfather of pop star directors. Sure, the inclusion of Power Station's Some Like it Hot in Palmer's film was a little self-serving, but I have to admit it synched up pretty well with the scene where the morons set the Inn on fire.
Peter, Paul and Mary Jackson, The Lords of the Ring: The Fellowship in the Ring -read EP review-
What's more amazing than pop stars making the successful transition to directing feature films? How about entire bands making the leap? Scoff no more my friends, because it happened while you weren't paying attention. If these 60's folkamuffins can direct the best gay boxing film ever, I can't wait to see Metallica's directorial debut this summer.
David Lynch, Mulholland Drive -read EP review-
Sure, he's crazier than a shithouse weasel, but there's no denying that some people out there enjoy the scrambled brainbatter he yanks out of his rectum every few years. Personally, I liked his films more before he decreed that all film scores should be played by throwing live fish at a piano, but you've got to admire his creative vision.
Best Actor
Russell Crowe, A Beautiful Mime -read EP review-
Really rubbing the charm thin after his role in Almost Famous, Crowe serves as a cleavage-blocking impediment to an otherwise arresting film. Back to the Louvre with you, Frenchie.
Sean Penn, I Am Sam -read EP review-
Leave it to a balls-out amazing actor like Penn to garner an Oscar nomination for the smallest of roles. Some may argue that his cameo as the fox in the box was too scant a role to deserve the Oscar nod, but I ask you this: did you ever doubt for a second that that there was really a fox in that box where Knox would not eat the green eggs and ham, would not eat them Sam I Am? I rest my case.
Geoffrey Rush, Lantana
Who?
Mr. Smith, ALI -read EP review-
Talk about taking a boring film and driving it right into the dull, lifeless ground! This is it. The American Law Institute could have salvaged some shred of an audience's attention by casting a big-name star in this plodding logjam of a film, but instead they chose to feature this faceless corporate lawyer in an unbelievably gray suit. I thought for a second this movie might turn into a Pink Floyd video but in the end it turned out that irony was not on the witness list.
Denzel Washington, Training Day -read EP review-
After a long, painful journey, Denzel finally finds his niche in this talking toddler pic. He's never had a finer moment than when he's chasing little Mikey around the apartment while he's got a shitty pair of pull-ups around his ankles (but don't ask me why Denzel was wearing pull-ups in the first place! Zing!). It just goes to show that talent can blossom late, and here Denzel is at his best since To Wong Fu…
Best Animated Film
In a surprising move by the Academy, the Best Actress category has been replaced this year by a new award for Best Animated Film. I'm sure you can imagine the endless griping that has ensued, but for what? I mean, who doesn't like cartoons?
Jimmy Nimrod: Boy Genius -read EP review-
Hands-down the funniest film of the year, and one of the main reasons you'll be hearing Roland McShyster's tortured screams echoing up from hell once we all hit the afterlife. I stand behind my actions, however, and if seeing an exploitive comedy about a retarded super-spy twelve times in the theater is a damnable offense, then damn the torpedoes and steer this cruise ship towards the Hades water park, my friends.
Mobsters, INC. -read EP review-
A computer-animated classic set in the mobster's paradise of New Jersey. A funny, fascinating, and fuggetaboutit musical for those of us who like our fellas good and our fathers godly. Or something, I don't know. Look for Joe Piscapo in his trademark insane mobster role.
Beatty and the Beast
I had the weird deja-vu feeling that I'd seen this movie before, but with all of the great new stuff they're cranking out, it's not like Disney would just rehash one of their old movies to make a few extra bucks. Anyway, it's great to see Ned Beatty working again, though to be honest sometimes I got confused about who was the Beast.
And that's a wrap! Now's it's time to bask in the afterglow while we await the ceremony itself. When will it be? Nobody knows! But that's half the fun of it. And from me to you, America, I hope it's some kind of wonderful. See you in a month!
  |
